Dakshina Movie Filmy4wap
Starring: Sai Dhansika, Rishav Basu, Sneha Singh, Ankita Muller, Magna Chaudhary, Naveen, Karuna, Hima Shailaja, and others.
Director: Osho Tulasiram
Producers: Ashok Shinde
Music Director: Balaji
Cinematographer: Narsing
Editor: Vinay
Overview:
“Dakshina,” starring Sai Dhansika, well-known for her role in Kabali, and featuring Rishav Basu in a significant role, has recently hit the screens. Directed by Osho Thulasiram, this crime thriller attempts to captivate audiences with its intense storyline. Let’s delve into how well it manages to leave an impression.
Storyline:
The movie follows Dakshina (Sai Dhansika), a determined police officer facing a disturbing string of murders in the city. Young girls are being abducted and killed by a brutal psychopath. The film’s central mystery revolves around identifying this criminal and understanding their motivations. A tragic incident further shakes Dakshina’s world, pushing her on a personal quest for revenge. The movie explores her challenges and the extent she goes to bring the perpetrator to justice. What she ultimately achieves forms the crux of the narrative.
Positive Aspects:
Sai Dhansika shines in the role of Dakshina, delivering a performance filled with emotional depth and physicality, particularly in the crime-related sequences. She holds the audience’s attention throughout, especially in pivotal scenes. Rishav Basu also stands out in his role, particularly in the film’s climactic moments, which elevate the tension of the narrative.
The backstory of Dakshina’s character is handled well, adding layers to the protagonist. Director Osho Thulasiram does a commendable job in building intrigue around the murder cases, keeping the audience engaged at various points. The supporting cast, including actors like Subhash and Anand Bharathi, seamlessly fit into their respective roles. The movie’s opening sequence is another plus, as it successfully draws viewers in from the start.
Negative Aspects:
While Dakshina presents an interesting premise, the film becomes predictable in parts. Several scenes in the first half feel stretched, losing the momentum needed to keep viewers hooked. The screenplay, especially in the earlier parts, could have been more gripping. Additionally, there are pacing issues, with certain scenes unnecessarily dragging, which affects the overall experience.
One major drawback is the lack of realism in key moments, such as the ease with which the protagonist, an ACP, is kidnapped and assaulted. This central plot point needed more depth and explanation to feel believable. Furthermore, the film struggles to maintain suspense in the first half, aside from a few notable scenes. The second half, while attempting to add emotional weight, doesn’t quite deliver the intensity it aims for.
Certain emotional scenes feel forced, and poorly constructed moments disrupt the flow of the narrative. Though there are commendable elements in the film, the climax, unfortunately, fails to leave a lasting impact, making the conclusion less satisfying.
Technical Aspects:
From a technical perspective, director Osho Thulasiram falls short in crafting a gripping crime thriller. The screenplay requires more polish to match the intensity of the plot. However, Narsing’s cinematography is noteworthy, especially in the film’s opening and during key sequences in the second half. The camerawork brings a natural tone to the visuals.
Balaji’s music is decent, with the background score complementing the film’s mood. Editing, on the other hand, could have been more refined, as tighter cuts would have improved the film’s pace. Producer Ashok Shinde ensures high production values, contributing positively to the overall presentation.
Verdict:
Overall, Dakshina is an emotional crime drama that doesn’t quite hit the mark. While Sai Dhansika’s performance, a few crime scenes, and the opening sequence are praiseworthy, the slow pacing, lack of engaging moments in the first half, and unrealistic elements in the plot detract from the film’s impact. It’s not a must-watch, and you might want to explore other viewing options instead.