Pakka Commercial Movie Review Filmy4wap
Cast:
Gopichand, Raashi Khanna, Sathyaraj, Varalaxmi Sarathkumar, Rao Ramesh, Srinivas Reddy, Anasuya Bharadwaj
Director: Maruthi
Producers: Bunny Vass, Pramod Uppalapati, Vamsi Krishna Reddy
Music Director: Jakes Bejoy
Cinematography: Karm Chawla
Editor: SB Uddhav
Overview:
Gopichand’s Pakka Commercial has been extensively promoted in recent weeks. Directed by Maruthi, this courtroom drama has finally hit the screens. Let’s delve into how the movie fares.
Plot Summary:
Satyanarayana Murthy (Sathyaraj) is a highly principled judge who steps down after delivering an incorrect verdict. Fast forward to the present, and his son Lucky (Gopichand) has become a money-driven lawyer, focused solely on financial gain. When Lucky takes on a case defending a corrupt politician (Rao Ramesh), Satyanarayana decides to re-enter the legal world to oppose his son in court. The story revolves around this intense father-son clash in the courtroom.
Positives:
Director Maruthi has a knack for using current themes as the foundation for his films. In Pakka Commercial, he explores the theme of commercialism, portraying how people prioritize personal gain over principles. This concept allows Gopichand to take on a dynamic role, which he portrays well.
Gopichand looks dapper and has been styled impressively, perfectly fitting the character’s mold. His performance is refined, and his comedic timing shines, particularly in the lighter moments of the film.
Raashi Khanna plays a significant role in the first half, adding humor through her energetic character. She also shares an engaging chemistry with Gopichand. Ajay Ghosh, though in a limited role, leaves a mark.
Rao Ramesh, as the main antagonist, strikes the right balance between menace and humor. His body language and dialogue delivery align perfectly with the film’s tone. Sathyaraj, playing a crucial role, delivers as expected, adding gravitas to the film. Supporting actors like Viva Harsha, Saptagiri, and Siya Gautham are decent in their parts.
Negatives:
The most noticeable flaw in Pakka Commercial is its predictable and formulaic story. The narrative offers nothing new, and the main plot only picks up pace around the interval.
While the comedy is engaging in parts, Raashi Khanna’s character becomes over-the-top in the second half, resulting in a sense of silliness. The ideological conflict between Sathyaraj and Gopichand could have been explored more deeply, but it feels underdeveloped.
Despite the potential for high-stakes drama, Maruthi keeps the tone light, which makes even critical courtroom scenes feel trivial. The climax twist is easy to foresee, leaving little to surprise the audience.
Technical Aspects:
The film’s production values are commendable. Jakes Bejoy’s music is enjoyable, though the background score doesn’t quite stand out. Maruthi’s dialogues are serviceable, while the costume design for Gopichand is notable. Editing, particularly in the first half, could have been tighter.
As for director Maruthi, he delivers an average execution. Known for his flair in blending humor with drama, his latest effort lacks the comedic sharpness seen in his previous works. The mix of comedy with courtroom drama could have been more impactful if the father-son relationship had been portrayed with more seriousness and emotional depth.
Conclusion:
In conclusion, Pakka Commercial is a courtroom drama with a fair amount of comedy. The first half is slow, but the humor keeps it afloat. However, the second half’s weak storyline and predictable turns reduce its overall impact. If you’re a fan of loud comedy and don’t mind overlooking logic and a coherent plot, Pakka Commercial might entertain you. Otherwise, there are better alternatives available.